142: Meet The Woman Who Changed Data Storytelling Forever (Cole Knafflic)
Help us become the #1 Data Podcast by leaving a rating & review! We are 67 reviews away!
Cole Nussbaumer Knaflic, author of 'Storytelling with Data' and 'Daphne Draws Data,' shares her journey from studying mathematics to becoming a leading figure in data visualization. Cole discusses her career path, the importance of clear communication in data visualization, and tips on how to make complex data understandable.
💌 Join 10k+ aspiring data analysts & get my tips in your inbox weekly 👉 https://www.datacareerjumpstart.com/newsletter
🆘 Feeling stuck in your data journey? Come to my next free "How to Land Your First Data Job" training 👉 https://www.datacareerjumpstart.com/training
👩💻 Want to land a data job in less than 90 days? 👉 https://www.datacareerjumpstart.com/daa
👔 Ace The Interview with Confidence 👉 https://www.datacareerjumpstart.com//interviewsimulator
⌚ TIMESTAMPS
00:51 Cole's Background and Career
06:25 The Importance of Effective Data Communication
13:07 Tailoring Data Presentations to Different Audiences
16:06 Practical Tips for Data Visualization
20:23 Advice for Aspiring Data Professionals
26:36 Introducing Her New Book (Daphne Draws Data)
🔗 CONNECT WITH COLE KNAFLIC
🤝 LinkedIn: https://www.linkedin.com/in/colenussbaumer
📕 Storytelling with Data by Cole Knafflic: https://amzn.to/3ZYHhsG
📒 Daphne Draws Data: https://amzn.to/4fJkIOt
📖 Books: https://www.storytellingwithdata.com/books
🔗 CONNECT WITH AVERY
🎵 TikTok
💻 Website
Mentioned in this episode:
🔮 Try DataFairy.io 100% free
Want an AI assistant to help you in your data journey? Try DataFairy.io for free to help you with Excel, SQL, Python, cold messages, networking, LinkedIn, and more!
Transcript
You can have the most beautiful graph in the world, and if you can't
2
:subsequently talk about that in a way
that makes other people want to listen
3
:and pay attention and do something
with it, the beautiful graph fails.
4
:Avery: Okay.
5
:Cole, welcome to the Data Career Podcast.
6
:So glad to have you.
7
:Hi, Avery.
8
:Great
9
:Cole: to be here.
10
:Thank you.
11
:Avery: Yes.
12
:So if you guys haven't
heard of Cole before.
13
:Uh, she is the author of the
book Storytelling with Data.
14
:It is one of the, uh, best books on
storytelling with data, but specifically
15
:like data visualization and how to
present and convince people at your
16
:workplace, uh, of your findings.
17
:She's also the, the author of the new
book, Daphne Draws Data, which we'll
18
:talk about in this episode as well, which
is, which is more for kids, right, Cole?
19
:Cole: It is, yeah.
20
:Younger audience, but interestingly, it's
a lot of the same lessons that apply.
21
:Avery: Okay.
22
:And let's, let's get into
some of those, those lessons.
23
:Um, I want to start off with
actually a little bit about, about
24
:your career because you studied
mathematics in college, right?
25
:Cole: Yeah.
26
:Math.
27
:I have an undergrad in math, uh,
or applied math and, uh, an MBA.
28
:Avery: Okay.
29
:And when you graduated, did you ever see
yourself becoming like the author of a
30
:storytelling with data book and, and kind
of this whole career that you have now?
31
:Yeah.
32
:Cole: No, it didn't exist as as a career.
33
:I don't think at that point I, as I
mentioned, I majored in math and I, I
34
:remember getting into my senior year in
college and still trying to figure out
35
:what do I want to be when I grow up?
36
:And I remember going to a series of
sessions that were, you know, like,
37
:What profession to have as a math major.
38
:And so I listened to the actuaries
and the, the finance people, and
39
:I had this moment of, or longer
than a moment, you know, the, the
40
:crisis of like, Ooh, none of these
careers sound like what I want to do.
41
:Uh, and I remember then getting some of
the best advice that I have received,
42
:I think, as I look back from my
mother, which was finish the degree.
43
:And so, so.
44
:Finished my math degree and
then got a job in banking.
45
:Uh, not in finance though, in
credit risk management, where I was
46
:building statistical models, uh,
forecasting loss, try to understand
47
:how we should reserve for the bank.
48
:And I loved, I loved the technical
side of it, but also being able to
49
:Bringing creativity in and where I
brought creativity and was in how I
50
:was visualizing the data, simple things
like colors and some inadvisable things.
51
:As I look back like shadows
or cram as many graphs on a
52
:slide as you can get on there.
53
:But interestingly, what I found
over time was when I spent.
54
:Time and thought on the design of the
visuals, people ended up spending more
55
:time with my work, and so that became
a self reinforcing thing where other
56
:people would come to me, and I became
the sort of internal expert when it comes
57
:to how do you show data fast forward
through a few career changes, and I.
58
:Was it Google still using a lot of
the same statistical methods, but
59
:now in an analytics role in HR.
60
:So people analytics forecasting
things like who's likely to leave the
61
:organization and when, and what sort of
things can we test out to change that?
62
:And I still spent a lot of time
on the visuals and the team I was
63
:on, we were doing a lot of really
complicated things that we needed to
64
:communicate to the engineers at the
organization and the sales people at the
65
:organization and everybody in between.
66
:So audiences with widely varying.
67
:Needs, technical skills,
familiarity with data.
68
:And so that was really interesting
to see how do you change how you
69
:show things depending on who you're
showing it to and where, where is that?
70
:How can that be more successful when
you think about it from that standpoint?
71
:So also, while I was at Google, I part of
a training program or part of developing
72
:a training program where I was creating
coursework on data visualization,
73
:which was fantastic because it gave
me a chance to pause and research and
74
:read everything I could get my hands
on at that point, which was not a lot.
75
:It was like, Tufti, Stephen Few, I think
his first book was out at that point,
76
:but really start to get an understanding
of why some of the things I'd arrived at
77
:through trial and error over time, you
know, why they work and why some things
78
:work better or worse, and really turn
that around to be able to teach others.
79
:And so I did that at Google, uh, taught
courses across the organization for a
80
:number of years and around the world.
81
:And then realized that it's not just.
82
:People in technical roles or at a
technology company who need to learn how
83
:to communicate effectively with data.
84
:These aren't skills that we naturally
have, even though a lot of the things
85
:and we can get into this, a lot of
the lessons are really Practical and
86
:maybe even obvious once you say them,
but until somebody points them out
87
:and shares them, we are sometimes
our own worst enemy when it comes to
88
:trying to communicate effectively.
89
:Uh, and so it was, let's see,
back in:
90
:and started storytelling with
data, uh, which is what I've.
91
:Poured the last decade plus into
really with the goal of helping people
92
:create graphs that make sense, but
also going beyond the graph to, you
93
:know, you don't want to just show data.
94
:We want to take the data that we
work with and learn something new
95
:from it and help communicate that
new thing to other people so that
96
:we can help drive smarter decisions.
97
:Uh, reinforce that we're doing things
the right way or that we should change
98
:how we're doing things and really have
smarter conversations, not about the
99
:data, but using the data to have smarter
conversations about the business.
100
:And so we do that mainly
through workshops.
101
:Uh, there's the book that you mentioned,
um, a couple more after that as well.
102
:One focused on practicing another
on you as the person who is
103
:creating and communicating the data.
104
:And then the latest one
for kids, as you mentioned,
105
:Avery: that's such a wild and cool story.
106
:Congratulations on all the success.
107
:I actually attended a, uh,
storytelling with data workshop at
108
:my company at ExxonMobil in 2020.
109
:And it was, it was awesome.
110
:And, and obviously I've, I've read the
book and, uh, I actually have multiple
111
:copies, one of all the success in this,
this really cool career that you've had.
112
:If you go back to that first job, you
know, one of the things that you said
113
:was that if you designed your charts.
114
:Well, and you use best practices for
data visualization, your boss and your
115
:boss's boss would care about them more
and pay more attention to your work.
116
:And actually I was, I was rereading
your book and I pulled this quote
117
:and you said, I quickly learned that
spending time on the aesthetic piece,
118
:something my colleagues didn't typically
do met my work garnered more attention
119
:from my boss and my boss's boss.
120
:And I just want to kind of talk
about that for a second, because.
121
:It's not necessarily that you were
doing better work or that your analysis
122
:was better or it was more meaningful.
123
:It was just easier for them to understand.
124
:And because it was easier for
them to understand, they valued
125
:it more and they valued you more.
126
:Is that true in your career?
127
:Cole: I think, yeah, I think it's
exactly that, that it became When the
128
:graphs made sense and the messages made
sense, it was more of a direct line
129
:into the value that the work was having.
130
:Whereas, if you imagine the same work
being done, but being communicated
131
:in a really complicated way, or,
you know, really going deep into the
132
:statistical methods instead of pulling
back to say, What does this mean?
133
:What does this mean for you,
the audience, or the person, the
134
:people to whom I'm communicating?
135
:What does it mean for our people?
136
:Business, how do we put that complicated
stuff into words that makes sense to
137
:somebody who wasn't intimately involved
in the process that when you don't
138
:take the time to do that, it can really
easily become a barrier to the good
139
:work that's being done actually having
the impact that it otherwise could.
140
:And that's what I think when we spend
time thinking about how do we make
141
:this make sense to someone else?
142
:How do I look at something and say,
all right, this might be what made
143
:sense to me, or it's the view that
helped me reach that aha Eureka moment,
144
:but it doesn't mean that that's the
same view or the same path that's
145
:going to serve my audience best.
146
:And so it really is this paradigm
shift because I think often and
147
:I think Especially people in
technical roles, we, we get so used
148
:to seeing things a certain way.
149
:And I think for me, at least as
I look back, there was joy in
150
:figuring out the puzzle, right?
151
:Figuring out how the pieces fit
together when it wasn't obvious.
152
:And so I think there's part of something
in us that wants us to then be able
153
:to kind of show that puzzle to someone
else, but have it not be clear so that
154
:we can have them experience some of
what we did, but that does a total
155
:disservice because what that does is
basically take the value that we could
156
:have added and obfuscate it instead
of saying, all right, I did this work.
157
:I've, I've found, you know, the,
the interesting thing now, rather
158
:than me take my audience through
all the details and the work I went
159
:to to get to the interesting thing,
it's actually just lead with that.
160
:And we may, in some cases, not even
have to get into any of the detail.
161
:I think sometimes that.
162
:Feels bad when it
shouldn't, that is success.
163
:That means your audience trusts you.
164
:It means they trust your finding
because I can remember times I can
165
:remember times at Google, I can remember
times at banking back prior to that
166
:in private equity, where I worked,
where my team and I would spend a ton
167
:of time on an analysis or on a study.
168
:And then putting together a really
dense recount of what we did and what
169
:we found in all of the methodology and.
170
:When it didn't get presented after
at the end of all of that work,
171
:that would feel bad when really
that was a success scenario.
172
:It didn't not get presented
because we didn't talk about it.
173
:We talked about it and actually didn't
even need to go into all of that detail
174
:because of the trust over time that
was established to our stakeholders
175
:were able to go in with the story
and then have the conversation focus
176
:on really understanding that and it.
177
:Understanding how we apply that
to the business going forward.
178
:And it doesn't mean we didn't
need to spend all that time
179
:putting together the document.
180
:We needed to have that.
181
:We needed to do that work in order to
get to the, the answer or the finding
182
:or the interesting thing to communicate.
183
:And there will be times where
you do need to take your audience
184
:through a lot of that detail.
185
:And so you need to have it there, but.
186
:The dense communication is
not the, the, the goal, right?
187
:Going through that is not the goal.
188
:It's having the impact through the work.
189
:Avery: I love that.
190
:And I think in today's society, as much
as all of us might enjoy working on
191
:something we're passionate on, uh, I
think people rather be doing their hobbies
192
:or spending time with their families.
193
:And so if you can just make your results
as clear as possible, as quickly as
194
:possible, uh, that bodes well for you.
195
:Because some, sometimes I think.
196
:As technical workers, we want
our work to speak for itself.
197
:Uh, and we want them to recognize,
yes, I did all this work to actually
198
:accomplish this, but the sad truth
is most businesses don't care.
199
:Just give us the results,
tell us why it matters.
200
:And a lot of the time I even saw this
post, um, from Kelly Adams on LinkedIn.
201
:She's like a LinkedIn creator.
202
:She was like the most of the time my boss
doesn't ask me how I, how I even got to.
203
:Like doesn't ask to see my code ever.
204
:It doesn't ask to like actually figure
out how I came to my conclusion.
205
:They just trust me to, to do the
analysis and come to the right point.
206
:Cole: Well, and I think that's part
of the, part of the magic magic.
207
:It's not quite the right word there,
but is really assessing a situation and.
208
:Anticipating what is going to be needed
and what level of depth you're going to
209
:need to be able to walk someone through
or show someone, uh, because when you
210
:can make that match the situation,
that's when when things go really well,
211
:because you could easily take that and
say, okay, well, so my manager trusts me.
212
:And that means.
213
:You know, I still need to be
buttoned up on my work, but maybe I
214
:don't need to show all of my work.
215
:But then as soon as you get the question
back, or you, you, if you misanticipated
216
:that or misread that, and now you have,
or you're using that and going in front
217
:of another audience who actually is
going to want to be convinced of the
218
:robustness of the analysis that was
done, you need to be able to anticipate
219
:that so that you can meet that.
220
:Need.
221
:I think that is where things most
often fail, where we create a report
222
:or a presentation for, for ourselves
or for our data for the project and
223
:not specifically for the person or the
people to whom we're communicating.
224
:That's that paradigm shift I was
referring to before that when we can
225
:get out of our own heads and really
think about, all right, here's what I
226
:did, but now how do I make this work for
the people who need to understand it?
227
:And take measures to make it work for
them, both through the visual design
228
:and through how we talk about our work,
how we communicate directly, that that's
229
:where all of that can work really well.
230
:Avery: So I think if, if I understand
what you're saying correctly is your
231
:presentation, your communication,
maybe even your, your graphs should
232
:almost dynamically change based
off of who you're showing it to.
233
:Cole: Yeah, I mean, ideally, so if
it's a critical scenario and you
234
:have audiences who are, whose needs
are sufficiently different, then you
235
:may want to think about, there will
be times where it would make sense
236
:to have different communications
for those different audiences.
237
:Now, in practice, that rarely happens.
238
:In practice, we try to create
this one size fits all, but it's
239
:easy through doing that to then
not exactly meet anyone's needs.
240
:So, I think A lot of the time we can get
to the good enough scenario where, you
241
:know, if we, if we craft the communication
and it's 80 percent meets this audience
242
:and 80 percent this audience, right,
there's some overlap and that's
243
:probably okay, but where audiences are
caring about really different things.
244
:So bring up an example from Google, since
we talked about this a little bit earlier,
245
:internally, our main audiences were.
246
:Engineers on the one hand, highly
technical, needed to be convinced
247
:that the methodology was sound,
wanted very detailed information.
248
:We needed to get them on board
before we even did the research a
249
:lot of the time so that they would
eventually buy into the results.
250
:And then on the other
hand, we had the staff.
251
:Sales organization whose general
sentiment was leave us alone.
252
:We're the ones out here
making the company money.
253
:And so for them, we needed to be
direct and short and concise, focused
254
:on what mattered to them and not
until they needed to act upon it.
255
:And it was like, it was, it was.
256
:After trying to communicate to both
of those audiences simultaneously at
257
:first and just failing for a variety
of reasons that are obvious in
258
:retrospect, that we decided, you know
what, that's not the right approach.
259
:We actually do need to communicate
to these audiences separately, not
260
:only in what we share and how we
talk through it or show it, but also
261
:even when we communicate to them.
262
:Avery: I think there's, there's
people listening who, who might be
263
:thinking, well, the analysis is the
analysis, but it's so funny because.
264
:You wouldn't necessarily think this,
but the packaging that you put are
265
:around your analysis really matters.
266
:And oftentimes, like if, if let's
just say we're, we're almost in
267
:the holidays, let's just say I'm
giving you a Christmas present of
268
:some, some new headphones, right?
269
:Like if, if the headphones
just in a cardboard box.
270
:They're not going to be as valued as if
I put these headphones in like a really
271
:nice, like box that has really good,
like opening mechanisms and really good
272
:wrapping paper and a bow and a nice card.
273
:Even
274
:Cole: though even the
wrapping paper, right.
275
:It's going to be different
around the holidays than around
276
:birthday or something else.
277
:So yeah, it's the same contents,
but the way you present it
278
:will and should be different.
279
:Avery: Let's, let's talk about some of
the ways that, that we can present well.
280
:So we talked about like.
281
:Addressing your audience.
282
:So if you're, if you're talking to
your boss's boss, you're going to
283
:present it differently than to like
your colleague or a engineer or a
284
:programmer or something like that.
285
:What are some other things that people
should know when they're, when they're
286
:making data visualization and presenting?
287
:Cole: I think one thing to be clear on is
that you likely know the situation, you
288
:know, the data better than anyone else.
289
:And what happens through that Is when
you look at the graph you made or the
290
:slide you made, it's super obvious
to you where to look and what to see.
291
:But to make those things as obvious
to someone else, it means you have
292
:to do things to make that happen.
293
:And so when it comes to the design
of the graphs and the slides, you
294
:can think about how you might employ
visual contrast, for example, sparing
295
:use of color to show your audience.
296
:where you want them to look and then
using words either through your spoken
297
:narrative or written directly with the
graph or on the slide or a combination
298
:of those two things that tell your
audience why you want them to look there.
299
:And a lot of the time, just
those two simple things.
300
:So making it clear where to look and
what to see, even if it's maybe not
301
:the perfect graph type for what you're
using, or there are some, you know,
302
:there's some clutter or, or something
else, uh, You can still get your
303
:message across and it gets the job done.
304
:Avery: That's something that
I think you, you cover really
305
:well in storytelling with data.
306
:Um, just like the idea of how do
we, how do we declutter our graphs?
307
:Because you know, it's funny, you're,
you're, you're big enough that, um, maybe,
308
:maybe, you know, the answer to this.
309
:Um, but, but in this book, like you do
all of this, I'll call it pretty ization
310
:of, of data visualization in Excel.
311
:All of the graphs that you do in
the book are, are done using Excel.
312
:And what I mean by, by you're big
enough, like your brand and your, uh,
313
:recognition has gotten to the point
where it's like, can't Excel start?
314
:Like, It's actually a lot of work to
make a graph look pretty in Excel.
315
:Can we talk to someone at Microsoft
and have it like he defaulted better?
316
:Cause one of the things that Microsoft
defaults does is if you have like
317
:eight different lines on your chart,
they're the all different colors.
318
:And one of the things that, you know,
you talk about is like, okay, let's only
319
:use color on one or two of these lines.
320
:Like why, why does Excel make it so hard?
321
:Cole: Well, I don't think so.
322
:No tools trying to make
your life miserable, right?
323
:Um, that, uh, any tool is trying to
meet the needs of so many different
324
:situations, all at once that it's never
going to exactly meet any of those, right?
325
:Take the example.
326
:You say like, why, why
is everything colorful?
327
:Well, because if, The legend is,
you know, off to the side or at the
328
:bottom, which is how that charts going
to be at the beginning, then you have
329
:to have color as a differentiator.
330
:So you have some way to tie those back.
331
:The way that you can get around
that when you are intentionally
332
:designing is you figure out, well,
where could I label those lines where
333
:proximity is the thing that ties them
instead of the similarity of color?
334
:But yeah.
335
:You have to make that decision in
light of the data because it depends
336
:on how it lays out on the graph to say,
well, can I label it within the graph?
337
:Or is that going to make it hard to read?
338
:Or there simply isn't space to do so.
339
:And so there are all these
decisions that we make every
340
:time we're working with data.
341
:And you're even, you're implicitly
making decisions when you're not
342
:changing these default things,
because then you're letting the
343
:tool make the decisions for you.
344
:And.
345
:It's funny because I, I had thought
for a long time, like, Oh, I should
346
:make myself my own template in Excel
and make, make it just really easy.
347
:So I can have the starting
point that I want.
348
:And I made several of these years
ago and found that I never used
349
:them because for me, part of the
process was looking at the thing that
350
:was never going to be quite right.
351
:And then figuring out how to intentionally
make it work for what I need.
352
:And I think there's value in
that and in the time and thought
353
:that it takes to do that.
354
:But we have to be intentional about
doing it because otherwise we can
355
:just plug data into any tool and
it will spit out something and it's
356
:never going to be what we need.
357
:You know, we pick on Excel, but
this is not unique to Excel.
358
:Uh, it's, it's anything
you're working with.
359
:And so I think there's an important part
of the process that comes into play when
360
:we are taking the time to make those
decisions and change the default settings
361
:to make them work for our given situation.
362
:I guess it takes
363
:Avery: time.
364
:It takes human brain and it's just
the laziness inside of me that
365
:wants it done automatically, but
it's also, it's also probably.
366
:Something to look forward to for
me and our listeners, because it
367
:also keeps us employed, right?
368
:Because if it was done out of
the box automatically, perfectly,
369
:then maybe we wouldn't have jobs,
but it requires a human brain.
370
:So that's good.
371
:I want to, I want to transition into
talking about, uh, you know, a lot of
372
:people who listen to this podcast are
trying to land their first day at a job.
373
:They're transitioning into data careers.
374
:Um, maybe they're teachers or physical
therapists, or they're in sales.
375
:Do you think there's room for them?
376
:To, to stand out using data visualization
and ultimately pivot into analytics.
377
:Cole: Yeah, I, so I would say for
the person who is trying to make
378
:that pivot and is in a role that is
not working with data on a regular
379
:basis, currently, first thing is to
look for opportunities where you.
380
:Where is their data and what you're
doing today that you could work with?
381
:Because that almost always exists.
382
:If it really doesn't, then you can look
elsewhere in the community for ways
383
:of practicing and honing those skills.
384
:For example, we have our online
storytelling with data community
385
:where we host a monthly challenge.
386
:That's always something very, um,
specific in theme, but open ended
387
:in term of how you address it,
where typically you're finding data.
388
:Data that's of interest to you
and doing something with it.
389
:I think the one we have going
on currently, uh, so November,
390
:2024 is just finding a graph
in the wild that isn't perfect.
391
:And then taking steps to improve it.
392
:Uh, we also have an exercise bank that
has hundreds, probably at this point
393
:of exercises that are more focused on
developing a specific skill where the
394
:data, the instructions, it's all about.
395
:All provided.
396
:And so all you need is, you know,
five minutes, 30 minutes and something
397
:you want to work on, uh, in terms
of practicing, whether it's, you
398
:know, like we talked about, maybe
it's taking a graph and figuring out
399
:how to change the color of just one
line and make everything else green.
400
:Gray or, uh, designing a slide.
401
:Um, and there's a variety
of other things as well.
402
:So looking for ways to practice to hone
your skills, which I would say again,
403
:first look within your role to see if
there's anything you could be doing there
404
:or more broadly at your organization.
405
:Some will allow there to be moonlighting
or, you know, shy of an internal transfer,
406
:but still getting some exposure to
skills that you would want to be using.
407
:So look for those, if not in your
current role, then look to the community
408
:to see where you might do that.
409
:And then I think for anyone who is not
currently in a data role, but wanting
410
:to get to where they're working with
data, visualizing data, communicating
411
:data, the thing to not overlook is how
you communicate, how you communicate
412
:verbally, and how you talk about yourself
in terms of, you know, how do you
413
:introduce yourself, or how do you portray
Your work history and your skills when
414
:you are interviewing or doing things
like that and spending time working on
415
:that, uh, and also how you engage your
audience through the way that you speak.
416
:Um, because this is one of the things
that over the years, and I think again,
417
:as I look back, it's not surprising
and seems obvious, but it wasn't until.
418
:Fairly long into things that it really
became clear to me that the graph or the
419
:data visualization is really just one
part of the puzzle because you can have
420
:the most beautiful graph in the world.
421
:And if you can't subsequently talk
about that in a way that makes
422
:other people want to listen and
pay attention and do something
423
:with it, the beautiful graph fails.
424
:And so I think both for those who are
wanting to transition into data roles.
425
:Also, I would say for those who are
currently in a role working with data
426
:and communicating data work on yourself
because you can be just as strategic
427
:when it comes to how you speak about your
work, how you portray yourself, how you
428
:communicate as you can with, you know,
what graph you're choosing and how you're
429
:choosing to portray things visually.
430
:And when those two go together,
you've made a good graph.
431
:And you can get other people's
attention through how you speak
432
:and through the passion you show
for the work that you've done.
433
:That becomes a really
powerful combination.
434
:Avery: It's, it's a great point.
435
:Um, and whether we like it or
not, we live in a world, uh, where
436
:your appearance really matters.
437
:You know, it's not, if you're trying to
land the data job right now, it's not the.
438
:The smartest person or the person who's
best at at sequel that lands the job.
439
:It's the person who's able to best
portray their skills that they'd be,
440
:you know, able to help the company.
441
:And the same is true.
442
:Once you land a job, it's not necessarily
the best employee that gets the promotion.
443
:It's the employee that appears the
best or gets portrayed as the best.
444
:And they, you know, it
really doesn't stop until.
445
:You become like the CEO.
446
:And then even then like
appearances still really matter.
447
:So it's, it's maybe unfortunate and you'd
want maybe just pure talents and skill
448
:to win, but the way that I think this is
449
:Cole: part of the talent as well,
being able to being able to communicate
450
:adeptly and one resource that I'll point
people to in case like, okay, I get
451
:this, but how do I actually do that in
the yellow book storytelling with you?
452
:This is the one that goes back to.
453
:There's data visualization in it,
but it goes beyond the data into how
454
:can you develop yourself to be able
to plan, create and deliver content?
455
:Uh, the penultimate chapter is crafting
the story of you, and it's basically
456
:taking people step by step through
how you can be really thoughtful and
457
:robust in how you plan and how you talk
about the story of yourself, which can
458
:be useful in a variety of scenarios.
459
:And it's actually, it really, it becomes
an interesting case study and way to
460
:practice a lot of the other things
that are introduced that are grounded
461
:more in how you would communicate data.
462
:But things like, you know,
brainstorming on sticky notes and
463
:really considering your audience and
making all of that work together with.
464
:Using a subject that people
know really well themselves.
465
:Um, but then after going through that
chapter, you can come out of it with a
466
:really clear plan and ways to practice
when it comes to talking about yourself
467
:that you can then translate into
talking about other things as well.
468
:Avery: That sounds like a
superpower to master that.
469
:I don't have the yellow book, so
maybe I'll, I'll have to look it up.
470
:Look into that one.
471
:Let's talk about your,
your brand new book.
472
:Daphne draws data.
473
:Uh, tell us a little bit about what
it is and why you decided to do this.
474
:Yeah.
475
:Look at it.
476
:Cole: Yeah.
477
:So Daphne is a delightful pink
dragon who has a unique talent.
478
:She enjoys drawing.
479
:That's not so unique.
480
:Well, maybe for a dragon it is, but the
thing that she likes to draw the most is.
481
:Data.
482
:She likes to draw graphs.
483
:And so the story is a really fun, I mean,
it's a picture book, really fun, brightly
484
:illustrated, uh, about Daphne's adventure.
485
:She decides, well, if she's not being
appreciated at home, she's going to go
486
:off and find a place where she can fit in.
487
:And so she goes to the jungle
and outer space and underwater
488
:and all sorts of places.
489
:And in each location, she
encounters some creatures.
490
:Uh, and a problem they're
facing, and then helps them solve
491
:their problem by drawing data.
492
:So she collects it, she draws it
in very pictorial forms of graphs.
493
:Uh, the word graph I don't think
is used once in the book though.
494
:It's really introducing the concepts
through story and through pictures.
495
:And then, uh, I won't give
away the ending, uh, other
496
:than to say it's a happy one.
497
:And the story ends, but then the book
continues into a graph glossary that goes
498
:more into what the graphs were that Daphne
used over the course of her adventure.
499
:So there's a page each devoted
to bar charts, line graphs.
500
:pie charts and scatter plots, uh,
showing examples from her adventures,
501
:helping kids understand how to read them
when they work, and then introducing
502
:activities that kids can undertake using
data that's of interest to them because
503
:one great Parallel that we can make
across adults communicating with data
504
:and kids and the use of data and graphs
is to make it about something that's
505
:meaningful and something that can be
acted upon because when I see my kids
506
:come home with graphs from school, so
far, I've been pretty disappointed because
507
:they're graphing things like the weather.
508
:The weather in September,
okay, it was sunny.
509
:You experienced that.
510
:It's not so interesting now to draw it
in a graph or they'll do things like
511
:roll a die, uh, you know, a bunch of
times to see that, you know, and then
512
:graph it to see, okay, I rolled all the
numbers about the same amount of times.
513
:This isn't anything that they can
then Use to understand things better.
514
:Uh, and so I really would like to make
the data that we're having kids work with
515
:be something that they're interested in,
because I think this is such a, it could
516
:be such an amazing way into mathematics
in a way that isn't portrayed as boring
517
:or complicated or completely abstract
when it comes to kids day to day.
518
:Uh, so, you know, let's have them track.
519
:How many hours they're spending on a
screen every day and how they feel plot
520
:that, or, uh, you know, where's their
favorite place to read and, you know,
521
:how might we then emulate some of those
things in the classroom to promote
522
:more reading, like things that we can
actually, uh, help kids learn about
523
:themselves and about the world around
them in ways that is fun and engaging
524
:because what I've seen through my kids.
525
:And their friends is that
kids are fantastic and love
526
:doing a couple of things.
527
:One, asking questions,
particularly like, I don't know,
528
:kindergarten, first, second grade.
529
:There's no filter yet and kids
are so curious and they ask
530
:questions about everything.
531
:And if we could teach kids how to
hone and get really good at asking
532
:questions that can subsequently be
answered with data, that is going to
533
:be an amazing foundation for everyone.
534
:Any sort of problem solving,
critical thinking, analytical
535
:career, and they also love drawing.
536
:And so if we can let them take some of
that creativity and do it with a graph
537
:and with numbers and let kids approach
that creatively, I think it's a very
538
:refreshing change from math being
something that's either right or wrong
539
:because graphs, there's more leeway.
540
:Uh, there can be creativity.
541
:People can approach things.
542
:differently, and we can celebrate
that and learn from that rather
543
:than say, no, don't do it that way.
544
:Do it this way.
545
:And so for me, I think it was a
combination of just going back to
546
:the impetus for writing the book, a
combination of, you know, seeing the
547
:adults who we teach and so many saying,
I wish I had learned this sooner or
548
:earlier, and then seeing my kids and
how, just how they learn about the
549
:world around them, how they develop.
550
:Language and logic and realizing we could
take the visual language of numbers and
551
:introduce that a lot earlier than we do,
sort of those two things coming together.
552
:I think there's an opportunity to really
help our kids recognize this superpower
553
:of comfort with numbers and asking
questions and answering those questions
554
:and drawing and plotting things that,
um, It'll be a great foundation for
555
:them for so many things going forward.
556
:Avery: You're building the next
generation of data analysts and a
557
:data viz specialist, a ripe young age.
558
:So, uh, that is very cool.
559
:Where can people find this book?
560
:Cole: Oh, anywhere books are sold.
561
:So yeah, favorite independent bookseller.
562
:You can order it.
563
:It's on Amazon.
564
:Uh, and, uh, yeah, is around the world.
565
:Avery: Okay.
566
:Awesome.
567
:Well, I haven't checked it out yet.
568
:I'll have to check it out.
569
:I'll have to check out the yellow book.
570
:Um, but I'm also a huge fan of, of the
storytelling with data original book.
571
:So if you guys haven't checked those
out, be sure to check them out.
572
:We'll have links to all of them
in the show notes down below.
573
:Uh, Cole, thank you so much
for coming on our show.
574
:We appreciate it.
575
:Cole: Thanks for having me, Avery.