Episode 142

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Published on:

6th Jan 2025

142: Meet The Woman Who Changed Data Storytelling Forever (Cole Knafflic)

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Cole Nussbaumer Knaflic, author of 'Storytelling with Data' and 'Daphne Draws Data,' shares her journey from studying mathematics to becoming a leading figure in data visualization. Cole discusses her career path, the importance of clear communication in data visualization, and tips on how to make complex data understandable.

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⌚ TIMESTAMPS

00:51 Cole's Background and Career

06:25 The Importance of Effective Data Communication

13:07 Tailoring Data Presentations to Different Audiences

16:06 Practical Tips for Data Visualization

20:23 Advice for Aspiring Data Professionals

26:36 Introducing Her New Book (Daphne Draws Data)

ο»Ώ

πŸ”— CONNECT WITH  COLE KNAFLIC

🀝 LinkedIn: https://www.linkedin.com/in/colenussbaumer

πŸ“• Storytelling with Data by Cole Knafflic: https://amzn.to/3ZYHhsG

πŸ“’ Daphne Draws Data: https://amzn.to/4fJkIOt

πŸ“– Books: https://www.storytellingwithdata.com/books

πŸ”— CONNECT WITH AVERY

πŸŽ₯ YouTube Channel

🀝 LinkedIn

πŸ“Έ Instagram

🎡 TikTok

πŸ’» Website

Transcript
Cole:

You can have the most beautiful graph in the world, and if you can't

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subsequently talk about that in a way

that makes other people want to listen

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and pay attention and do something

with it, the beautiful graph fails.

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Avery: Okay.

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Cole, welcome to the Data Career Podcast.

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So glad to have you.

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Hi, Avery.

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Great

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Cole: to be here.

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Thank you.

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Avery: Yes.

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So if you guys haven't

heard of Cole before.

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Uh, she is the author of the

book Storytelling with Data.

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It is one of the, uh, best books on

storytelling with data, but specifically

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like data visualization and how to

present and convince people at your

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workplace, uh, of your findings.

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She's also the, the author of the new

book, Daphne Draws Data, which we'll

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talk about in this episode as well, which

is, which is more for kids, right, Cole?

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Cole: It is, yeah.

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Younger audience, but interestingly, it's

a lot of the same lessons that apply.

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Avery: Okay.

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And let's, let's get into

some of those, those lessons.

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Um, I want to start off with

actually a little bit about, about

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your career because you studied

mathematics in college, right?

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Cole: Yeah.

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Math.

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I have an undergrad in math, uh,

or applied math and, uh, an MBA.

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Avery: Okay.

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And when you graduated, did you ever see

yourself becoming like the author of a

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storytelling with data book and, and kind

of this whole career that you have now?

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Yeah.

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Cole: No, it didn't exist as as a career.

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I don't think at that point I, as I

mentioned, I majored in math and I, I

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remember getting into my senior year in

college and still trying to figure out

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what do I want to be when I grow up?

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And I remember going to a series of

sessions that were, you know, like,

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What profession to have as a math major.

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And so I listened to the actuaries

and the, the finance people, and

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I had this moment of, or longer

than a moment, you know, the, the

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crisis of like, Ooh, none of these

careers sound like what I want to do.

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Uh, and I remember then getting some of

the best advice that I have received,

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I think, as I look back from my

mother, which was finish the degree.

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And so, so.

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Finished my math degree and

then got a job in banking.

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Uh, not in finance though, in

credit risk management, where I was

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building statistical models, uh,

forecasting loss, try to understand

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how we should reserve for the bank.

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And I loved, I loved the technical

side of it, but also being able to

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Bringing creativity in and where I

brought creativity and was in how I

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was visualizing the data, simple things

like colors and some inadvisable things.

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As I look back like shadows

or cram as many graphs on a

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slide as you can get on there.

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But interestingly, what I found

over time was when I spent.

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Time and thought on the design of the

visuals, people ended up spending more

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time with my work, and so that became

a self reinforcing thing where other

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people would come to me, and I became

the sort of internal expert when it comes

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to how do you show data fast forward

through a few career changes, and I.

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Was it Google still using a lot of

the same statistical methods, but

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now in an analytics role in HR.

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So people analytics forecasting

things like who's likely to leave the

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organization and when, and what sort of

things can we test out to change that?

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And I still spent a lot of time

on the visuals and the team I was

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on, we were doing a lot of really

complicated things that we needed to

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communicate to the engineers at the

organization and the sales people at the

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organization and everybody in between.

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So audiences with widely varying.

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Needs, technical skills,

familiarity with data.

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And so that was really interesting

to see how do you change how you

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show things depending on who you're

showing it to and where, where is that?

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How can that be more successful when

you think about it from that standpoint?

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So also, while I was at Google, I part of

a training program or part of developing

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a training program where I was creating

coursework on data visualization,

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which was fantastic because it gave

me a chance to pause and research and

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read everything I could get my hands

on at that point, which was not a lot.

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It was like, Tufti, Stephen Few, I think

his first book was out at that point,

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but really start to get an understanding

of why some of the things I'd arrived at

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through trial and error over time, you

know, why they work and why some things

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work better or worse, and really turn

that around to be able to teach others.

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And so I did that at Google, uh, taught

courses across the organization for a

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number of years and around the world.

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And then realized that it's not just.

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People in technical roles or at a

technology company who need to learn how

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to communicate effectively with data.

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These aren't skills that we naturally

have, even though a lot of the things

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and we can get into this, a lot of

the lessons are really Practical and

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maybe even obvious once you say them,

but until somebody points them out

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and shares them, we are sometimes

our own worst enemy when it comes to

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trying to communicate effectively.

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Uh, and so it was, let's see,

back in:

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and started storytelling with

data, uh, which is what I've.

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Poured the last decade plus into

really with the goal of helping people

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create graphs that make sense, but

also going beyond the graph to, you

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know, you don't want to just show data.

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We want to take the data that we

work with and learn something new

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from it and help communicate that

new thing to other people so that

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we can help drive smarter decisions.

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Uh, reinforce that we're doing things

the right way or that we should change

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how we're doing things and really have

smarter conversations, not about the

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data, but using the data to have smarter

conversations about the business.

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And so we do that mainly

through workshops.

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Uh, there's the book that you mentioned,

um, a couple more after that as well.

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One focused on practicing another

on you as the person who is

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creating and communicating the data.

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And then the latest one

for kids, as you mentioned,

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Avery: that's such a wild and cool story.

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Congratulations on all the success.

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I actually attended a, uh,

storytelling with data workshop at

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my company at ExxonMobil in 2020.

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And it was, it was awesome.

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And, and obviously I've, I've read the

book and, uh, I actually have multiple

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copies, one of all the success in this,

this really cool career that you've had.

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If you go back to that first job, you

know, one of the things that you said

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was that if you designed your charts.

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Well, and you use best practices for

data visualization, your boss and your

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boss's boss would care about them more

and pay more attention to your work.

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And actually I was, I was rereading

your book and I pulled this quote

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and you said, I quickly learned that

spending time on the aesthetic piece,

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something my colleagues didn't typically

do met my work garnered more attention

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from my boss and my boss's boss.

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And I just want to kind of talk

about that for a second, because.

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It's not necessarily that you were

doing better work or that your analysis

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was better or it was more meaningful.

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It was just easier for them to understand.

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And because it was easier for

them to understand, they valued

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it more and they valued you more.

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Is that true in your career?

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Cole: I think, yeah, I think it's

exactly that, that it became When the

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graphs made sense and the messages made

sense, it was more of a direct line

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into the value that the work was having.

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Whereas, if you imagine the same work

being done, but being communicated

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in a really complicated way, or,

you know, really going deep into the

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statistical methods instead of pulling

back to say, What does this mean?

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What does this mean for you,

the audience, or the person, the

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people to whom I'm communicating?

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What does it mean for our people?

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Business, how do we put that complicated

stuff into words that makes sense to

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somebody who wasn't intimately involved

in the process that when you don't

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take the time to do that, it can really

easily become a barrier to the good

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work that's being done actually having

the impact that it otherwise could.

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And that's what I think when we spend

time thinking about how do we make

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this make sense to someone else?

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How do I look at something and say,

all right, this might be what made

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sense to me, or it's the view that

helped me reach that aha Eureka moment,

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but it doesn't mean that that's the

same view or the same path that's

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going to serve my audience best.

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And so it really is this paradigm

shift because I think often and

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I think Especially people in

technical roles, we, we get so used

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to seeing things a certain way.

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And I think for me, at least as

I look back, there was joy in

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figuring out the puzzle, right?

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Figuring out how the pieces fit

together when it wasn't obvious.

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And so I think there's part of something

in us that wants us to then be able

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to kind of show that puzzle to someone

else, but have it not be clear so that

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we can have them experience some of

what we did, but that does a total

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disservice because what that does is

basically take the value that we could

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have added and obfuscate it instead

of saying, all right, I did this work.

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I've, I've found, you know, the,

the interesting thing now, rather

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than me take my audience through

all the details and the work I went

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to to get to the interesting thing,

it's actually just lead with that.

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And we may, in some cases, not even

have to get into any of the detail.

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I think sometimes that.

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Feels bad when it

shouldn't, that is success.

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That means your audience trusts you.

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It means they trust your finding

because I can remember times I can

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remember times at Google, I can remember

times at banking back prior to that

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in private equity, where I worked,

where my team and I would spend a ton

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of time on an analysis or on a study.

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And then putting together a really

dense recount of what we did and what

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we found in all of the methodology and.

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When it didn't get presented after

at the end of all of that work,

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that would feel bad when really

that was a success scenario.

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It didn't not get presented

because we didn't talk about it.

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We talked about it and actually didn't

even need to go into all of that detail

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because of the trust over time that

was established to our stakeholders

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were able to go in with the story

and then have the conversation focus

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on really understanding that and it.

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Understanding how we apply that

to the business going forward.

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And it doesn't mean we didn't

need to spend all that time

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putting together the document.

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We needed to have that.

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We needed to do that work in order to

get to the, the answer or the finding

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or the interesting thing to communicate.

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And there will be times where

you do need to take your audience

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through a lot of that detail.

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And so you need to have it there, but.

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The dense communication is

not the, the, the goal, right?

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Going through that is not the goal.

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It's having the impact through the work.

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Avery: I love that.

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And I think in today's society, as much

as all of us might enjoy working on

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something we're passionate on, uh, I

think people rather be doing their hobbies

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or spending time with their families.

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And so if you can just make your results

as clear as possible, as quickly as

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possible, uh, that bodes well for you.

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Because some, sometimes I think.

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As technical workers, we want

our work to speak for itself.

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Uh, and we want them to recognize,

yes, I did all this work to actually

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accomplish this, but the sad truth

is most businesses don't care.

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Just give us the results,

tell us why it matters.

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And a lot of the time I even saw this

post, um, from Kelly Adams on LinkedIn.

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She's like a LinkedIn creator.

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She was like the most of the time my boss

doesn't ask me how I, how I even got to.

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Like doesn't ask to see my code ever.

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It doesn't ask to like actually figure

out how I came to my conclusion.

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They just trust me to, to do the

analysis and come to the right point.

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Cole: Well, and I think that's part

of the, part of the magic magic.

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It's not quite the right word there,

but is really assessing a situation and.

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Anticipating what is going to be needed

and what level of depth you're going to

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need to be able to walk someone through

or show someone, uh, because when you

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can make that match the situation,

that's when when things go really well,

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because you could easily take that and

say, okay, well, so my manager trusts me.

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And that means.

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You know, I still need to be

buttoned up on my work, but maybe I

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don't need to show all of my work.

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But then as soon as you get the question

back, or you, you, if you misanticipated

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that or misread that, and now you have,

or you're using that and going in front

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of another audience who actually is

going to want to be convinced of the

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robustness of the analysis that was

done, you need to be able to anticipate

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that so that you can meet that.

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Need.

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I think that is where things most

often fail, where we create a report

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or a presentation for, for ourselves

or for our data for the project and

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not specifically for the person or the

people to whom we're communicating.

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That's that paradigm shift I was

referring to before that when we can

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get out of our own heads and really

think about, all right, here's what I

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did, but now how do I make this work for

the people who need to understand it?

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And take measures to make it work for

them, both through the visual design

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and through how we talk about our work,

how we communicate directly, that that's

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where all of that can work really well.

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Avery: So I think if, if I understand

what you're saying correctly is your

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presentation, your communication,

maybe even your, your graphs should

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almost dynamically change based

off of who you're showing it to.

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Cole: Yeah, I mean, ideally, so if

it's a critical scenario and you

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have audiences who are, whose needs

are sufficiently different, then you

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may want to think about, there will

be times where it would make sense

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to have different communications

for those different audiences.

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Now, in practice, that rarely happens.

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In practice, we try to create

this one size fits all, but it's

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easy through doing that to then

not exactly meet anyone's needs.

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So, I think A lot of the time we can get

to the good enough scenario where, you

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know, if we, if we craft the communication

and it's 80 percent meets this audience

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and 80 percent this audience, right,

there's some overlap and that's

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probably okay, but where audiences are

caring about really different things.

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So bring up an example from Google, since

we talked about this a little bit earlier,

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internally, our main audiences were.

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Engineers on the one hand, highly

technical, needed to be convinced

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that the methodology was sound,

wanted very detailed information.

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We needed to get them on board

before we even did the research a

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lot of the time so that they would

eventually buy into the results.

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And then on the other

hand, we had the staff.

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Sales organization whose general

sentiment was leave us alone.

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We're the ones out here

making the company money.

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And so for them, we needed to be

direct and short and concise, focused

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on what mattered to them and not

until they needed to act upon it.

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And it was like, it was, it was.

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After trying to communicate to both

of those audiences simultaneously at

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first and just failing for a variety

of reasons that are obvious in

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retrospect, that we decided, you know

what, that's not the right approach.

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We actually do need to communicate

to these audiences separately, not

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only in what we share and how we

talk through it or show it, but also

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even when we communicate to them.

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Avery: I think there's, there's

people listening who, who might be

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thinking, well, the analysis is the

analysis, but it's so funny because.

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You wouldn't necessarily think this,

but the packaging that you put are

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around your analysis really matters.

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And oftentimes, like if, if let's

just say we're, we're almost in

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the holidays, let's just say I'm

giving you a Christmas present of

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some, some new headphones, right?

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Like if, if the headphones

just in a cardboard box.

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They're not going to be as valued as if

I put these headphones in like a really

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nice, like box that has really good,

like opening mechanisms and really good

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wrapping paper and a bow and a nice card.

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Even

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Cole: though even the

wrapping paper, right.

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It's going to be different

around the holidays than around

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birthday or something else.

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So yeah, it's the same contents,

but the way you present it

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will and should be different.

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Avery: Let's, let's talk about some of

the ways that, that we can present well.

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So we talked about like.

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Addressing your audience.

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So if you're, if you're talking to

your boss's boss, you're going to

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present it differently than to like

your colleague or a engineer or a

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programmer or something like that.

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What are some other things that people

should know when they're, when they're

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making data visualization and presenting?

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Cole: I think one thing to be clear on is

that you likely know the situation, you

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know, the data better than anyone else.

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And what happens through that Is when

you look at the graph you made or the

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slide you made, it's super obvious

to you where to look and what to see.

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But to make those things as obvious

to someone else, it means you have

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to do things to make that happen.

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And so when it comes to the design

of the graphs and the slides, you

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can think about how you might employ

visual contrast, for example, sparing

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use of color to show your audience.

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where you want them to look and then

using words either through your spoken

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narrative or written directly with the

graph or on the slide or a combination

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of those two things that tell your

audience why you want them to look there.

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And a lot of the time, just

those two simple things.

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So making it clear where to look and

what to see, even if it's maybe not

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the perfect graph type for what you're

using, or there are some, you know,

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there's some clutter or, or something

else, uh, You can still get your

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message across and it gets the job done.

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Avery: That's something that

I think you, you cover really

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well in storytelling with data.

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Um, just like the idea of how do

we, how do we declutter our graphs?

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Because you know, it's funny, you're,

you're, you're big enough that, um, maybe,

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maybe, you know, the answer to this.

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Um, but, but in this book, like you do

all of this, I'll call it pretty ization

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of, of data visualization in Excel.

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All of the graphs that you do in

the book are, are done using Excel.

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And what I mean by, by you're big

enough, like your brand and your, uh,

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recognition has gotten to the point

where it's like, can't Excel start?

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Like, It's actually a lot of work to

make a graph look pretty in Excel.

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Can we talk to someone at Microsoft

and have it like he defaulted better?

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Cause one of the things that Microsoft

defaults does is if you have like

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eight different lines on your chart,

they're the all different colors.

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And one of the things that, you know,

you talk about is like, okay, let's only

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use color on one or two of these lines.

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Like why, why does Excel make it so hard?

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Cole: Well, I don't think so.

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No tools trying to make

your life miserable, right?

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Um, that, uh, any tool is trying to

meet the needs of so many different

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situations, all at once that it's never

going to exactly meet any of those, right?

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Take the example.

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You say like, why, why

is everything colorful?

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Well, because if, The legend is,

you know, off to the side or at the

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bottom, which is how that charts going

to be at the beginning, then you have

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to have color as a differentiator.

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So you have some way to tie those back.

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The way that you can get around

that when you are intentionally

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designing is you figure out, well,

where could I label those lines where

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proximity is the thing that ties them

instead of the similarity of color?

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:

But yeah.

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:

You have to make that decision in

light of the data because it depends

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:

on how it lays out on the graph to say,

well, can I label it within the graph?

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:

Or is that going to make it hard to read?

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:

Or there simply isn't space to do so.

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:

And so there are all these

decisions that we make every

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:

time we're working with data.

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:

And you're even, you're implicitly

making decisions when you're not

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:

changing these default things,

because then you're letting the

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:

tool make the decisions for you.

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:

And.

345

:

It's funny because I, I had thought

for a long time, like, Oh, I should

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:

make myself my own template in Excel

and make, make it just really easy.

347

:

So I can have the starting

point that I want.

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:

And I made several of these years

ago and found that I never used

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:

them because for me, part of the

process was looking at the thing that

350

:

was never going to be quite right.

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:

And then figuring out how to intentionally

make it work for what I need.

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:

And I think there's value in

that and in the time and thought

353

:

that it takes to do that.

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:

But we have to be intentional about

doing it because otherwise we can

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:

just plug data into any tool and

it will spit out something and it's

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:

never going to be what we need.

357

:

You know, we pick on Excel, but

this is not unique to Excel.

358

:

Uh, it's, it's anything

you're working with.

359

:

And so I think there's an important part

of the process that comes into play when

360

:

we are taking the time to make those

decisions and change the default settings

361

:

to make them work for our given situation.

362

:

I guess it takes

363

:

Avery: time.

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:

It takes human brain and it's just

the laziness inside of me that

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:

wants it done automatically, but

it's also, it's also probably.

366

:

Something to look forward to for

me and our listeners, because it

367

:

also keeps us employed, right?

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:

Because if it was done out of

the box automatically, perfectly,

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:

then maybe we wouldn't have jobs,

but it requires a human brain.

370

:

So that's good.

371

:

I want to, I want to transition into

talking about, uh, you know, a lot of

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:

people who listen to this podcast are

trying to land their first day at a job.

373

:

They're transitioning into data careers.

374

:

Um, maybe they're teachers or physical

therapists, or they're in sales.

375

:

Do you think there's room for them?

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:

To, to stand out using data visualization

and ultimately pivot into analytics.

377

:

Cole: Yeah, I, so I would say for

the person who is trying to make

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:

that pivot and is in a role that is

not working with data on a regular

379

:

basis, currently, first thing is to

look for opportunities where you.

380

:

Where is their data and what you're

doing today that you could work with?

381

:

Because that almost always exists.

382

:

If it really doesn't, then you can look

elsewhere in the community for ways

383

:

of practicing and honing those skills.

384

:

For example, we have our online

storytelling with data community

385

:

where we host a monthly challenge.

386

:

That's always something very, um,

specific in theme, but open ended

387

:

in term of how you address it,

where typically you're finding data.

388

:

Data that's of interest to you

and doing something with it.

389

:

I think the one we have going

on currently, uh, so November,

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:

2024 is just finding a graph

in the wild that isn't perfect.

391

:

And then taking steps to improve it.

392

:

Uh, we also have an exercise bank that

has hundreds, probably at this point

393

:

of exercises that are more focused on

developing a specific skill where the

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:

data, the instructions, it's all about.

395

:

All provided.

396

:

And so all you need is, you know,

five minutes, 30 minutes and something

397

:

you want to work on, uh, in terms

of practicing, whether it's, you

398

:

know, like we talked about, maybe

it's taking a graph and figuring out

399

:

how to change the color of just one

line and make everything else green.

400

:

Gray or, uh, designing a slide.

401

:

Um, and there's a variety

of other things as well.

402

:

So looking for ways to practice to hone

your skills, which I would say again,

403

:

first look within your role to see if

there's anything you could be doing there

404

:

or more broadly at your organization.

405

:

Some will allow there to be moonlighting

or, you know, shy of an internal transfer,

406

:

but still getting some exposure to

skills that you would want to be using.

407

:

So look for those, if not in your

current role, then look to the community

408

:

to see where you might do that.

409

:

And then I think for anyone who is not

currently in a data role, but wanting

410

:

to get to where they're working with

data, visualizing data, communicating

411

:

data, the thing to not overlook is how

you communicate, how you communicate

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:

verbally, and how you talk about yourself

in terms of, you know, how do you

413

:

introduce yourself, or how do you portray

Your work history and your skills when

414

:

you are interviewing or doing things

like that and spending time working on

415

:

that, uh, and also how you engage your

audience through the way that you speak.

416

:

Um, because this is one of the things

that over the years, and I think again,

417

:

as I look back, it's not surprising

and seems obvious, but it wasn't until.

418

:

Fairly long into things that it really

became clear to me that the graph or the

419

:

data visualization is really just one

part of the puzzle because you can have

420

:

the most beautiful graph in the world.

421

:

And if you can't subsequently talk

about that in a way that makes

422

:

other people want to listen and

pay attention and do something

423

:

with it, the beautiful graph fails.

424

:

And so I think both for those who are

wanting to transition into data roles.

425

:

Also, I would say for those who are

currently in a role working with data

426

:

and communicating data work on yourself

because you can be just as strategic

427

:

when it comes to how you speak about your

work, how you portray yourself, how you

428

:

communicate as you can with, you know,

what graph you're choosing and how you're

429

:

choosing to portray things visually.

430

:

And when those two go together,

you've made a good graph.

431

:

And you can get other people's

attention through how you speak

432

:

and through the passion you show

for the work that you've done.

433

:

That becomes a really

powerful combination.

434

:

Avery: It's, it's a great point.

435

:

Um, and whether we like it or

not, we live in a world, uh, where

436

:

your appearance really matters.

437

:

You know, it's not, if you're trying to

land the data job right now, it's not the.

438

:

The smartest person or the person who's

best at at sequel that lands the job.

439

:

It's the person who's able to best

portray their skills that they'd be,

440

:

you know, able to help the company.

441

:

And the same is true.

442

:

Once you land a job, it's not necessarily

the best employee that gets the promotion.

443

:

It's the employee that appears the

best or gets portrayed as the best.

444

:

And they, you know, it

really doesn't stop until.

445

:

You become like the CEO.

446

:

And then even then like

appearances still really matter.

447

:

So it's, it's maybe unfortunate and you'd

want maybe just pure talents and skill

448

:

to win, but the way that I think this is

449

:

Cole: part of the talent as well,

being able to being able to communicate

450

:

adeptly and one resource that I'll point

people to in case like, okay, I get

451

:

this, but how do I actually do that in

the yellow book storytelling with you?

452

:

This is the one that goes back to.

453

:

There's data visualization in it,

but it goes beyond the data into how

454

:

can you develop yourself to be able

to plan, create and deliver content?

455

:

Uh, the penultimate chapter is crafting

the story of you, and it's basically

456

:

taking people step by step through

how you can be really thoughtful and

457

:

robust in how you plan and how you talk

about the story of yourself, which can

458

:

be useful in a variety of scenarios.

459

:

And it's actually, it really, it becomes

an interesting case study and way to

460

:

practice a lot of the other things

that are introduced that are grounded

461

:

more in how you would communicate data.

462

:

But things like, you know,

brainstorming on sticky notes and

463

:

really considering your audience and

making all of that work together with.

464

:

Using a subject that people

know really well themselves.

465

:

Um, but then after going through that

chapter, you can come out of it with a

466

:

really clear plan and ways to practice

when it comes to talking about yourself

467

:

that you can then translate into

talking about other things as well.

468

:

Avery: That sounds like a

superpower to master that.

469

:

I don't have the yellow book, so

maybe I'll, I'll have to look it up.

470

:

Look into that one.

471

:

Let's talk about your,

your brand new book.

472

:

Daphne draws data.

473

:

Uh, tell us a little bit about what

it is and why you decided to do this.

474

:

Yeah.

475

:

Look at it.

476

:

Cole: Yeah.

477

:

So Daphne is a delightful pink

dragon who has a unique talent.

478

:

She enjoys drawing.

479

:

That's not so unique.

480

:

Well, maybe for a dragon it is, but the

thing that she likes to draw the most is.

481

:

Data.

482

:

She likes to draw graphs.

483

:

And so the story is a really fun, I mean,

it's a picture book, really fun, brightly

484

:

illustrated, uh, about Daphne's adventure.

485

:

She decides, well, if she's not being

appreciated at home, she's going to go

486

:

off and find a place where she can fit in.

487

:

And so she goes to the jungle

and outer space and underwater

488

:

and all sorts of places.

489

:

And in each location, she

encounters some creatures.

490

:

Uh, and a problem they're

facing, and then helps them solve

491

:

their problem by drawing data.

492

:

So she collects it, she draws it

in very pictorial forms of graphs.

493

:

Uh, the word graph I don't think

is used once in the book though.

494

:

It's really introducing the concepts

through story and through pictures.

495

:

And then, uh, I won't give

away the ending, uh, other

496

:

than to say it's a happy one.

497

:

And the story ends, but then the book

continues into a graph glossary that goes

498

:

more into what the graphs were that Daphne

used over the course of her adventure.

499

:

So there's a page each devoted

to bar charts, line graphs.

500

:

pie charts and scatter plots, uh,

showing examples from her adventures,

501

:

helping kids understand how to read them

when they work, and then introducing

502

:

activities that kids can undertake using

data that's of interest to them because

503

:

one great Parallel that we can make

across adults communicating with data

504

:

and kids and the use of data and graphs

is to make it about something that's

505

:

meaningful and something that can be

acted upon because when I see my kids

506

:

come home with graphs from school, so

far, I've been pretty disappointed because

507

:

they're graphing things like the weather.

508

:

The weather in September,

okay, it was sunny.

509

:

You experienced that.

510

:

It's not so interesting now to draw it

in a graph or they'll do things like

511

:

roll a die, uh, you know, a bunch of

times to see that, you know, and then

512

:

graph it to see, okay, I rolled all the

numbers about the same amount of times.

513

:

This isn't anything that they can

then Use to understand things better.

514

:

Uh, and so I really would like to make

the data that we're having kids work with

515

:

be something that they're interested in,

because I think this is such a, it could

516

:

be such an amazing way into mathematics

in a way that isn't portrayed as boring

517

:

or complicated or completely abstract

when it comes to kids day to day.

518

:

Uh, so, you know, let's have them track.

519

:

How many hours they're spending on a

screen every day and how they feel plot

520

:

that, or, uh, you know, where's their

favorite place to read and, you know,

521

:

how might we then emulate some of those

things in the classroom to promote

522

:

more reading, like things that we can

actually, uh, help kids learn about

523

:

themselves and about the world around

them in ways that is fun and engaging

524

:

because what I've seen through my kids.

525

:

And their friends is that

kids are fantastic and love

526

:

doing a couple of things.

527

:

One, asking questions,

particularly like, I don't know,

528

:

kindergarten, first, second grade.

529

:

There's no filter yet and kids

are so curious and they ask

530

:

questions about everything.

531

:

And if we could teach kids how to

hone and get really good at asking

532

:

questions that can subsequently be

answered with data, that is going to

533

:

be an amazing foundation for everyone.

534

:

Any sort of problem solving,

critical thinking, analytical

535

:

career, and they also love drawing.

536

:

And so if we can let them take some of

that creativity and do it with a graph

537

:

and with numbers and let kids approach

that creatively, I think it's a very

538

:

refreshing change from math being

something that's either right or wrong

539

:

because graphs, there's more leeway.

540

:

Uh, there can be creativity.

541

:

People can approach things.

542

:

differently, and we can celebrate

that and learn from that rather

543

:

than say, no, don't do it that way.

544

:

Do it this way.

545

:

And so for me, I think it was a

combination of just going back to

546

:

the impetus for writing the book, a

combination of, you know, seeing the

547

:

adults who we teach and so many saying,

I wish I had learned this sooner or

548

:

earlier, and then seeing my kids and

how, just how they learn about the

549

:

world around them, how they develop.

550

:

Language and logic and realizing we could

take the visual language of numbers and

551

:

introduce that a lot earlier than we do,

sort of those two things coming together.

552

:

I think there's an opportunity to really

help our kids recognize this superpower

553

:

of comfort with numbers and asking

questions and answering those questions

554

:

and drawing and plotting things that,

um, It'll be a great foundation for

555

:

them for so many things going forward.

556

:

Avery: You're building the next

generation of data analysts and a

557

:

data viz specialist, a ripe young age.

558

:

So, uh, that is very cool.

559

:

Where can people find this book?

560

:

Cole: Oh, anywhere books are sold.

561

:

So yeah, favorite independent bookseller.

562

:

You can order it.

563

:

It's on Amazon.

564

:

Uh, and, uh, yeah, is around the world.

565

:

Avery: Okay.

566

:

Awesome.

567

:

Well, I haven't checked it out yet.

568

:

I'll have to check it out.

569

:

I'll have to check out the yellow book.

570

:

Um, but I'm also a huge fan of, of the

storytelling with data original book.

571

:

So if you guys haven't checked those

out, be sure to check them out.

572

:

We'll have links to all of them

in the show notes down below.

573

:

Uh, Cole, thank you so much

for coming on our show.

574

:

We appreciate it.

575

:

Cole: Thanks for having me, Avery.

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Show artwork for Data Career Podcast: Helping You Land a Data Analyst Job FAST

About the Podcast

Data Career Podcast: Helping You Land a Data Analyst Job FAST
The Data Career Podcast: helping you break into data analytics, build your data career, and develop a personal brand

About your host

Profile picture for Avery Smith

Avery Smith

Avery Smith is the host of The Data Career Podcast & founder of Data Career Jumpstart, an online platform dedicated to helping individuals transition into and advance within the data analytics field. After studying chemical engineering in college, Avery pivoted his career into data, and later earned a Masters in Data Analytics from Georgia Tech. He’s worked as a data analyst, data engineer, and data scientist for companies like Vaporsens, ExxonMobil, Harley Davidson, MIT, and the Utah Jazz. Avery lives in the mountains of Utah where he enjoys running, skiing, & hiking with his wife, dog, and new born baby.