142: Meet The Woman Who Changed Data Storytelling Forever (Cole Knafflic)
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Cole Nussbaumer Knaflic, author of 'Storytelling with Data' and 'Daphne Draws Data,' shares her journey from studying mathematics to becoming a leading figure in data visualization. Cole discusses her career path, the importance of clear communication in data visualization, and tips on how to make complex data understandable.
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β TIMESTAMPS
00:51 Cole's Background and Career
06:25 The Importance of Effective Data Communication
13:07 Tailoring Data Presentations to Different Audiences
16:06 Practical Tips for Data Visualization
20:23 Advice for Aspiring Data Professionals
26:36 Introducing Her New Book (Daphne Draws Data)
ο»Ώ
π CONNECT WITH COLE KNAFLIC
π€ LinkedIn: https://www.linkedin.com/in/colenussbaumer
π Storytelling with Data by Cole Knafflic: https://amzn.to/3ZYHhsG
π Daphne Draws Data: https://amzn.to/4fJkIOt
π Books: https://www.storytellingwithdata.com/books
π CONNECT WITH AVERY
π₯ YouTube Channel
π€ LinkedIn
πΈ Instagram
π΅ TikTok
π» Website
Transcript
You can have the most beautiful graph in the world, and if you can't
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:subsequently talk about that in a way
that makes other people want to listen
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:and pay attention and do something
with it, the beautiful graph fails.
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:Avery: Okay.
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:Cole, welcome to the Data Career Podcast.
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:So glad to have you.
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:Hi, Avery.
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:Great
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:Cole: to be here.
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:Thank you.
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:Avery: Yes.
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:So if you guys haven't
heard of Cole before.
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:Uh, she is the author of the
book Storytelling with Data.
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:It is one of the, uh, best books on
storytelling with data, but specifically
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:like data visualization and how to
present and convince people at your
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:workplace, uh, of your findings.
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:She's also the, the author of the new
book, Daphne Draws Data, which we'll
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:talk about in this episode as well, which
is, which is more for kids, right, Cole?
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:Cole: It is, yeah.
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:Younger audience, but interestingly, it's
a lot of the same lessons that apply.
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:Avery: Okay.
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:And let's, let's get into
some of those, those lessons.
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:Um, I want to start off with
actually a little bit about, about
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:your career because you studied
mathematics in college, right?
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:Cole: Yeah.
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:Math.
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:I have an undergrad in math, uh,
or applied math and, uh, an MBA.
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:Avery: Okay.
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:And when you graduated, did you ever see
yourself becoming like the author of a
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:storytelling with data book and, and kind
of this whole career that you have now?
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:Yeah.
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:Cole: No, it didn't exist as as a career.
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:I don't think at that point I, as I
mentioned, I majored in math and I, I
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:remember getting into my senior year in
college and still trying to figure out
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:what do I want to be when I grow up?
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:And I remember going to a series of
sessions that were, you know, like,
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:What profession to have as a math major.
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:And so I listened to the actuaries
and the, the finance people, and
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:I had this moment of, or longer
than a moment, you know, the, the
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:crisis of like, Ooh, none of these
careers sound like what I want to do.
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:Uh, and I remember then getting some of
the best advice that I have received,
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:I think, as I look back from my
mother, which was finish the degree.
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:And so, so.
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:Finished my math degree and
then got a job in banking.
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:Uh, not in finance though, in
credit risk management, where I was
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:building statistical models, uh,
forecasting loss, try to understand
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:how we should reserve for the bank.
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:And I loved, I loved the technical
side of it, but also being able to
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:Bringing creativity in and where I
brought creativity and was in how I
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:was visualizing the data, simple things
like colors and some inadvisable things.
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:As I look back like shadows
or cram as many graphs on a
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:slide as you can get on there.
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:But interestingly, what I found
over time was when I spent.
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:Time and thought on the design of the
visuals, people ended up spending more
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:time with my work, and so that became
a self reinforcing thing where other
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:people would come to me, and I became
the sort of internal expert when it comes
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:to how do you show data fast forward
through a few career changes, and I.
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:Was it Google still using a lot of
the same statistical methods, but
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:now in an analytics role in HR.
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:So people analytics forecasting
things like who's likely to leave the
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:organization and when, and what sort of
things can we test out to change that?
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:And I still spent a lot of time
on the visuals and the team I was
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:on, we were doing a lot of really
complicated things that we needed to
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:communicate to the engineers at the
organization and the sales people at the
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:organization and everybody in between.
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:So audiences with widely varying.
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:Needs, technical skills,
familiarity with data.
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:And so that was really interesting
to see how do you change how you
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:show things depending on who you're
showing it to and where, where is that?
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:How can that be more successful when
you think about it from that standpoint?
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:So also, while I was at Google, I part of
a training program or part of developing
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:a training program where I was creating
coursework on data visualization,
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:which was fantastic because it gave
me a chance to pause and research and
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:read everything I could get my hands
on at that point, which was not a lot.
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:It was like, Tufti, Stephen Few, I think
his first book was out at that point,
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:but really start to get an understanding
of why some of the things I'd arrived at
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:through trial and error over time, you
know, why they work and why some things
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:work better or worse, and really turn
that around to be able to teach others.
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:And so I did that at Google, uh, taught
courses across the organization for a
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:number of years and around the world.
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:And then realized that it's not just.
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:People in technical roles or at a
technology company who need to learn how
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:to communicate effectively with data.
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:These aren't skills that we naturally
have, even though a lot of the things
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:and we can get into this, a lot of
the lessons are really Practical and
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:maybe even obvious once you say them,
but until somebody points them out
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:and shares them, we are sometimes
our own worst enemy when it comes to
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:trying to communicate effectively.
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:Uh, and so it was, let's see,
back in:
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:and started storytelling with
data, uh, which is what I've.
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:Poured the last decade plus into
really with the goal of helping people
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:create graphs that make sense, but
also going beyond the graph to, you
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:know, you don't want to just show data.
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:We want to take the data that we
work with and learn something new
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:from it and help communicate that
new thing to other people so that
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:we can help drive smarter decisions.
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:Uh, reinforce that we're doing things
the right way or that we should change
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:how we're doing things and really have
smarter conversations, not about the
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:data, but using the data to have smarter
conversations about the business.
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:And so we do that mainly
through workshops.
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:Uh, there's the book that you mentioned,
um, a couple more after that as well.
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:One focused on practicing another
on you as the person who is
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:creating and communicating the data.
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:And then the latest one
for kids, as you mentioned,
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:Avery: that's such a wild and cool story.
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:Congratulations on all the success.
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:I actually attended a, uh,
storytelling with data workshop at
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:my company at ExxonMobil in 2020.
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:And it was, it was awesome.
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:And, and obviously I've, I've read the
book and, uh, I actually have multiple
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:copies, one of all the success in this,
this really cool career that you've had.
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:If you go back to that first job, you
know, one of the things that you said
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:was that if you designed your charts.
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:Well, and you use best practices for
data visualization, your boss and your
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:boss's boss would care about them more
and pay more attention to your work.
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:And actually I was, I was rereading
your book and I pulled this quote
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:and you said, I quickly learned that
spending time on the aesthetic piece,
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:something my colleagues didn't typically
do met my work garnered more attention
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:from my boss and my boss's boss.
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:And I just want to kind of talk
about that for a second, because.
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:It's not necessarily that you were
doing better work or that your analysis
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:was better or it was more meaningful.
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:It was just easier for them to understand.
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:And because it was easier for
them to understand, they valued
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:it more and they valued you more.
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:Is that true in your career?
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:Cole: I think, yeah, I think it's
exactly that, that it became When the
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:graphs made sense and the messages made
sense, it was more of a direct line
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:into the value that the work was having.
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:Whereas, if you imagine the same work
being done, but being communicated
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:in a really complicated way, or,
you know, really going deep into the
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:statistical methods instead of pulling
back to say, What does this mean?
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:What does this mean for you,
the audience, or the person, the
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:people to whom I'm communicating?
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:What does it mean for our people?
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:Business, how do we put that complicated
stuff into words that makes sense to
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:somebody who wasn't intimately involved
in the process that when you don't
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:take the time to do that, it can really
easily become a barrier to the good
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:work that's being done actually having
the impact that it otherwise could.
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:And that's what I think when we spend
time thinking about how do we make
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:this make sense to someone else?
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:How do I look at something and say,
all right, this might be what made
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:sense to me, or it's the view that
helped me reach that aha Eureka moment,
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:but it doesn't mean that that's the
same view or the same path that's
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:going to serve my audience best.
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:And so it really is this paradigm
shift because I think often and
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:I think Especially people in
technical roles, we, we get so used
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:to seeing things a certain way.
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:And I think for me, at least as
I look back, there was joy in
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:figuring out the puzzle, right?
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:Figuring out how the pieces fit
together when it wasn't obvious.
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:And so I think there's part of something
in us that wants us to then be able
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:to kind of show that puzzle to someone
else, but have it not be clear so that
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:we can have them experience some of
what we did, but that does a total
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:disservice because what that does is
basically take the value that we could
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:have added and obfuscate it instead
of saying, all right, I did this work.
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:I've, I've found, you know, the,
the interesting thing now, rather
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:than me take my audience through
all the details and the work I went
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:to to get to the interesting thing,
it's actually just lead with that.
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:And we may, in some cases, not even
have to get into any of the detail.
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:I think sometimes that.
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:Feels bad when it
shouldn't, that is success.
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:That means your audience trusts you.
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:It means they trust your finding
because I can remember times I can
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:remember times at Google, I can remember
times at banking back prior to that
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:in private equity, where I worked,
where my team and I would spend a ton
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:of time on an analysis or on a study.
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:And then putting together a really
dense recount of what we did and what
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:we found in all of the methodology and.
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:When it didn't get presented after
at the end of all of that work,
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:that would feel bad when really
that was a success scenario.
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:It didn't not get presented
because we didn't talk about it.
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:We talked about it and actually didn't
even need to go into all of that detail
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:because of the trust over time that
was established to our stakeholders
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:were able to go in with the story
and then have the conversation focus
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:on really understanding that and it.
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:Understanding how we apply that
to the business going forward.
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:And it doesn't mean we didn't
need to spend all that time
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:putting together the document.
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:We needed to have that.
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:We needed to do that work in order to
get to the, the answer or the finding
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:or the interesting thing to communicate.
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:And there will be times where
you do need to take your audience
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:through a lot of that detail.
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:And so you need to have it there, but.
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:The dense communication is
not the, the, the goal, right?
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:Going through that is not the goal.
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:It's having the impact through the work.
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:Avery: I love that.
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:And I think in today's society, as much
as all of us might enjoy working on
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:something we're passionate on, uh, I
think people rather be doing their hobbies
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:or spending time with their families.
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:And so if you can just make your results
as clear as possible, as quickly as
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:possible, uh, that bodes well for you.
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:Because some, sometimes I think.
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:As technical workers, we want
our work to speak for itself.
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:Uh, and we want them to recognize,
yes, I did all this work to actually
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:accomplish this, but the sad truth
is most businesses don't care.
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:Just give us the results,
tell us why it matters.
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:And a lot of the time I even saw this
post, um, from Kelly Adams on LinkedIn.
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:She's like a LinkedIn creator.
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:She was like the most of the time my boss
doesn't ask me how I, how I even got to.
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:Like doesn't ask to see my code ever.
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:It doesn't ask to like actually figure
out how I came to my conclusion.
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:They just trust me to, to do the
analysis and come to the right point.
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:Cole: Well, and I think that's part
of the, part of the magic magic.
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:It's not quite the right word there,
but is really assessing a situation and.
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:Anticipating what is going to be needed
and what level of depth you're going to
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:need to be able to walk someone through
or show someone, uh, because when you
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:can make that match the situation,
that's when when things go really well,
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:because you could easily take that and
say, okay, well, so my manager trusts me.
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:And that means.
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:You know, I still need to be
buttoned up on my work, but maybe I
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:don't need to show all of my work.
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:But then as soon as you get the question
back, or you, you, if you misanticipated
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:that or misread that, and now you have,
or you're using that and going in front
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:of another audience who actually is
going to want to be convinced of the
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:robustness of the analysis that was
done, you need to be able to anticipate
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:that so that you can meet that.
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:Need.
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:I think that is where things most
often fail, where we create a report
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:or a presentation for, for ourselves
or for our data for the project and
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:not specifically for the person or the
people to whom we're communicating.
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:That's that paradigm shift I was
referring to before that when we can
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:get out of our own heads and really
think about, all right, here's what I
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:did, but now how do I make this work for
the people who need to understand it?
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:And take measures to make it work for
them, both through the visual design
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:and through how we talk about our work,
how we communicate directly, that that's
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:where all of that can work really well.
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:Avery: So I think if, if I understand
what you're saying correctly is your
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:presentation, your communication,
maybe even your, your graphs should
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:almost dynamically change based
off of who you're showing it to.
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:Cole: Yeah, I mean, ideally, so if
it's a critical scenario and you
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:have audiences who are, whose needs
are sufficiently different, then you
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:may want to think about, there will
be times where it would make sense
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:to have different communications
for those different audiences.
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:Now, in practice, that rarely happens.
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:In practice, we try to create
this one size fits all, but it's
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:easy through doing that to then
not exactly meet anyone's needs.
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:So, I think A lot of the time we can get
to the good enough scenario where, you
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:know, if we, if we craft the communication
and it's 80 percent meets this audience
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:and 80 percent this audience, right,
there's some overlap and that's
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:probably okay, but where audiences are
caring about really different things.
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:So bring up an example from Google, since
we talked about this a little bit earlier,
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:internally, our main audiences were.
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:Engineers on the one hand, highly
technical, needed to be convinced
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:that the methodology was sound,
wanted very detailed information.
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:We needed to get them on board
before we even did the research a
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:lot of the time so that they would
eventually buy into the results.
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:And then on the other
hand, we had the staff.
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:Sales organization whose general
sentiment was leave us alone.
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:We're the ones out here
making the company money.
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:And so for them, we needed to be
direct and short and concise, focused
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:on what mattered to them and not
until they needed to act upon it.
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:And it was like, it was, it was.
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:After trying to communicate to both
of those audiences simultaneously at
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:first and just failing for a variety
of reasons that are obvious in
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:retrospect, that we decided, you know
what, that's not the right approach.
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:We actually do need to communicate
to these audiences separately, not
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:only in what we share and how we
talk through it or show it, but also
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:even when we communicate to them.
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:Avery: I think there's, there's
people listening who, who might be
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:thinking, well, the analysis is the
analysis, but it's so funny because.
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:You wouldn't necessarily think this,
but the packaging that you put are
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:around your analysis really matters.
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:And oftentimes, like if, if let's
just say we're, we're almost in
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:the holidays, let's just say I'm
giving you a Christmas present of
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:some, some new headphones, right?
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:Like if, if the headphones
just in a cardboard box.
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:They're not going to be as valued as if
I put these headphones in like a really
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:nice, like box that has really good,
like opening mechanisms and really good
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:wrapping paper and a bow and a nice card.
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:Even
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:Cole: though even the
wrapping paper, right.
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:It's going to be different
around the holidays than around
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:birthday or something else.
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:So yeah, it's the same contents,
but the way you present it
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:will and should be different.
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:Avery: Let's, let's talk about some of
the ways that, that we can present well.
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:So we talked about like.
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:Addressing your audience.
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:So if you're, if you're talking to
your boss's boss, you're going to
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:present it differently than to like
your colleague or a engineer or a
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:programmer or something like that.
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:What are some other things that people
should know when they're, when they're
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:making data visualization and presenting?
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:Cole: I think one thing to be clear on is
that you likely know the situation, you
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:know, the data better than anyone else.
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:And what happens through that Is when
you look at the graph you made or the
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:slide you made, it's super obvious
to you where to look and what to see.
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:But to make those things as obvious
to someone else, it means you have
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:to do things to make that happen.
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:And so when it comes to the design
of the graphs and the slides, you
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:can think about how you might employ
visual contrast, for example, sparing
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:use of color to show your audience.
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:where you want them to look and then
using words either through your spoken
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:narrative or written directly with the
graph or on the slide or a combination
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:of those two things that tell your
audience why you want them to look there.
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:And a lot of the time, just
those two simple things.
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:So making it clear where to look and
what to see, even if it's maybe not
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:the perfect graph type for what you're
using, or there are some, you know,
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:there's some clutter or, or something
else, uh, You can still get your
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:message across and it gets the job done.
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:Avery: That's something that
I think you, you cover really
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:well in storytelling with data.
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:Um, just like the idea of how do
we, how do we declutter our graphs?
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:Because you know, it's funny, you're,
you're, you're big enough that, um, maybe,
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:maybe, you know, the answer to this.
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:Um, but, but in this book, like you do
all of this, I'll call it pretty ization
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:of, of data visualization in Excel.
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:All of the graphs that you do in
the book are, are done using Excel.
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:And what I mean by, by you're big
enough, like your brand and your, uh,
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:recognition has gotten to the point
where it's like, can't Excel start?
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:Like, It's actually a lot of work to
make a graph look pretty in Excel.
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:Can we talk to someone at Microsoft
and have it like he defaulted better?
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:Cause one of the things that Microsoft
defaults does is if you have like
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:eight different lines on your chart,
they're the all different colors.
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:And one of the things that, you know,
you talk about is like, okay, let's only
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:use color on one or two of these lines.
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:Like why, why does Excel make it so hard?
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:Cole: Well, I don't think so.
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:No tools trying to make
your life miserable, right?
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:Um, that, uh, any tool is trying to
meet the needs of so many different
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:situations, all at once that it's never
going to exactly meet any of those, right?
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:Take the example.
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:You say like, why, why
is everything colorful?
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:Well, because if, The legend is,
you know, off to the side or at the
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:bottom, which is how that charts going
to be at the beginning, then you have
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:to have color as a differentiator.
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:So you have some way to tie those back.
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:The way that you can get around
that when you are intentionally
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:designing is you figure out, well,
where could I label those lines where
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:proximity is the thing that ties them
instead of the similarity of color?
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:But yeah.
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:You have to make that decision in
light of the data because it depends
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:on how it lays out on the graph to say,
well, can I label it within the graph?
337
:Or is that going to make it hard to read?
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:Or there simply isn't space to do so.
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:And so there are all these
decisions that we make every
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:time we're working with data.
341
:And you're even, you're implicitly
making decisions when you're not
342
:changing these default things,
because then you're letting the
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:tool make the decisions for you.
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:And.
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:It's funny because I, I had thought
for a long time, like, Oh, I should
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:make myself my own template in Excel
and make, make it just really easy.
347
:So I can have the starting
point that I want.
348
:And I made several of these years
ago and found that I never used
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:them because for me, part of the
process was looking at the thing that
350
:was never going to be quite right.
351
:And then figuring out how to intentionally
make it work for what I need.
352
:And I think there's value in
that and in the time and thought
353
:that it takes to do that.
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:But we have to be intentional about
doing it because otherwise we can
355
:just plug data into any tool and
it will spit out something and it's
356
:never going to be what we need.
357
:You know, we pick on Excel, but
this is not unique to Excel.
358
:Uh, it's, it's anything
you're working with.
359
:And so I think there's an important part
of the process that comes into play when
360
:we are taking the time to make those
decisions and change the default settings
361
:to make them work for our given situation.
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:I guess it takes
363
:Avery: time.
364
:It takes human brain and it's just
the laziness inside of me that
365
:wants it done automatically, but
it's also, it's also probably.
366
:Something to look forward to for
me and our listeners, because it
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:also keeps us employed, right?
368
:Because if it was done out of
the box automatically, perfectly,
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:then maybe we wouldn't have jobs,
but it requires a human brain.
370
:So that's good.
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:I want to, I want to transition into
talking about, uh, you know, a lot of
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:people who listen to this podcast are
trying to land their first day at a job.
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:They're transitioning into data careers.
374
:Um, maybe they're teachers or physical
therapists, or they're in sales.
375
:Do you think there's room for them?
376
:To, to stand out using data visualization
and ultimately pivot into analytics.
377
:Cole: Yeah, I, so I would say for
the person who is trying to make
378
:that pivot and is in a role that is
not working with data on a regular
379
:basis, currently, first thing is to
look for opportunities where you.
380
:Where is their data and what you're
doing today that you could work with?
381
:Because that almost always exists.
382
:If it really doesn't, then you can look
elsewhere in the community for ways
383
:of practicing and honing those skills.
384
:For example, we have our online
storytelling with data community
385
:where we host a monthly challenge.
386
:That's always something very, um,
specific in theme, but open ended
387
:in term of how you address it,
where typically you're finding data.
388
:Data that's of interest to you
and doing something with it.
389
:I think the one we have going
on currently, uh, so November,
390
:2024 is just finding a graph
in the wild that isn't perfect.
391
:And then taking steps to improve it.
392
:Uh, we also have an exercise bank that
has hundreds, probably at this point
393
:of exercises that are more focused on
developing a specific skill where the
394
:data, the instructions, it's all about.
395
:All provided.
396
:And so all you need is, you know,
five minutes, 30 minutes and something
397
:you want to work on, uh, in terms
of practicing, whether it's, you
398
:know, like we talked about, maybe
it's taking a graph and figuring out
399
:how to change the color of just one
line and make everything else green.
400
:Gray or, uh, designing a slide.
401
:Um, and there's a variety
of other things as well.
402
:So looking for ways to practice to hone
your skills, which I would say again,
403
:first look within your role to see if
there's anything you could be doing there
404
:or more broadly at your organization.
405
:Some will allow there to be moonlighting
or, you know, shy of an internal transfer,
406
:but still getting some exposure to
skills that you would want to be using.
407
:So look for those, if not in your
current role, then look to the community
408
:to see where you might do that.
409
:And then I think for anyone who is not
currently in a data role, but wanting
410
:to get to where they're working with
data, visualizing data, communicating
411
:data, the thing to not overlook is how
you communicate, how you communicate
412
:verbally, and how you talk about yourself
in terms of, you know, how do you
413
:introduce yourself, or how do you portray
Your work history and your skills when
414
:you are interviewing or doing things
like that and spending time working on
415
:that, uh, and also how you engage your
audience through the way that you speak.
416
:Um, because this is one of the things
that over the years, and I think again,
417
:as I look back, it's not surprising
and seems obvious, but it wasn't until.
418
:Fairly long into things that it really
became clear to me that the graph or the
419
:data visualization is really just one
part of the puzzle because you can have
420
:the most beautiful graph in the world.
421
:And if you can't subsequently talk
about that in a way that makes
422
:other people want to listen and
pay attention and do something
423
:with it, the beautiful graph fails.
424
:And so I think both for those who are
wanting to transition into data roles.
425
:Also, I would say for those who are
currently in a role working with data
426
:and communicating data work on yourself
because you can be just as strategic
427
:when it comes to how you speak about your
work, how you portray yourself, how you
428
:communicate as you can with, you know,
what graph you're choosing and how you're
429
:choosing to portray things visually.
430
:And when those two go together,
you've made a good graph.
431
:And you can get other people's
attention through how you speak
432
:and through the passion you show
for the work that you've done.
433
:That becomes a really
powerful combination.
434
:Avery: It's, it's a great point.
435
:Um, and whether we like it or
not, we live in a world, uh, where
436
:your appearance really matters.
437
:You know, it's not, if you're trying to
land the data job right now, it's not the.
438
:The smartest person or the person who's
best at at sequel that lands the job.
439
:It's the person who's able to best
portray their skills that they'd be,
440
:you know, able to help the company.
441
:And the same is true.
442
:Once you land a job, it's not necessarily
the best employee that gets the promotion.
443
:It's the employee that appears the
best or gets portrayed as the best.
444
:And they, you know, it
really doesn't stop until.
445
:You become like the CEO.
446
:And then even then like
appearances still really matter.
447
:So it's, it's maybe unfortunate and you'd
want maybe just pure talents and skill
448
:to win, but the way that I think this is
449
:Cole: part of the talent as well,
being able to being able to communicate
450
:adeptly and one resource that I'll point
people to in case like, okay, I get
451
:this, but how do I actually do that in
the yellow book storytelling with you?
452
:This is the one that goes back to.
453
:There's data visualization in it,
but it goes beyond the data into how
454
:can you develop yourself to be able
to plan, create and deliver content?
455
:Uh, the penultimate chapter is crafting
the story of you, and it's basically
456
:taking people step by step through
how you can be really thoughtful and
457
:robust in how you plan and how you talk
about the story of yourself, which can
458
:be useful in a variety of scenarios.
459
:And it's actually, it really, it becomes
an interesting case study and way to
460
:practice a lot of the other things
that are introduced that are grounded
461
:more in how you would communicate data.
462
:But things like, you know,
brainstorming on sticky notes and
463
:really considering your audience and
making all of that work together with.
464
:Using a subject that people
know really well themselves.
465
:Um, but then after going through that
chapter, you can come out of it with a
466
:really clear plan and ways to practice
when it comes to talking about yourself
467
:that you can then translate into
talking about other things as well.
468
:Avery: That sounds like a
superpower to master that.
469
:I don't have the yellow book, so
maybe I'll, I'll have to look it up.
470
:Look into that one.
471
:Let's talk about your,
your brand new book.
472
:Daphne draws data.
473
:Uh, tell us a little bit about what
it is and why you decided to do this.
474
:Yeah.
475
:Look at it.
476
:Cole: Yeah.
477
:So Daphne is a delightful pink
dragon who has a unique talent.
478
:She enjoys drawing.
479
:That's not so unique.
480
:Well, maybe for a dragon it is, but the
thing that she likes to draw the most is.
481
:Data.
482
:She likes to draw graphs.
483
:And so the story is a really fun, I mean,
it's a picture book, really fun, brightly
484
:illustrated, uh, about Daphne's adventure.
485
:She decides, well, if she's not being
appreciated at home, she's going to go
486
:off and find a place where she can fit in.
487
:And so she goes to the jungle
and outer space and underwater
488
:and all sorts of places.
489
:And in each location, she
encounters some creatures.
490
:Uh, and a problem they're
facing, and then helps them solve
491
:their problem by drawing data.
492
:So she collects it, she draws it
in very pictorial forms of graphs.
493
:Uh, the word graph I don't think
is used once in the book though.
494
:It's really introducing the concepts
through story and through pictures.
495
:And then, uh, I won't give
away the ending, uh, other
496
:than to say it's a happy one.
497
:And the story ends, but then the book
continues into a graph glossary that goes
498
:more into what the graphs were that Daphne
used over the course of her adventure.
499
:So there's a page each devoted
to bar charts, line graphs.
500
:pie charts and scatter plots, uh,
showing examples from her adventures,
501
:helping kids understand how to read them
when they work, and then introducing
502
:activities that kids can undertake using
data that's of interest to them because
503
:one great Parallel that we can make
across adults communicating with data
504
:and kids and the use of data and graphs
is to make it about something that's
505
:meaningful and something that can be
acted upon because when I see my kids
506
:come home with graphs from school, so
far, I've been pretty disappointed because
507
:they're graphing things like the weather.
508
:The weather in September,
okay, it was sunny.
509
:You experienced that.
510
:It's not so interesting now to draw it
in a graph or they'll do things like
511
:roll a die, uh, you know, a bunch of
times to see that, you know, and then
512
:graph it to see, okay, I rolled all the
numbers about the same amount of times.
513
:This isn't anything that they can
then Use to understand things better.
514
:Uh, and so I really would like to make
the data that we're having kids work with
515
:be something that they're interested in,
because I think this is such a, it could
516
:be such an amazing way into mathematics
in a way that isn't portrayed as boring
517
:or complicated or completely abstract
when it comes to kids day to day.
518
:Uh, so, you know, let's have them track.
519
:How many hours they're spending on a
screen every day and how they feel plot
520
:that, or, uh, you know, where's their
favorite place to read and, you know,
521
:how might we then emulate some of those
things in the classroom to promote
522
:more reading, like things that we can
actually, uh, help kids learn about
523
:themselves and about the world around
them in ways that is fun and engaging
524
:because what I've seen through my kids.
525
:And their friends is that
kids are fantastic and love
526
:doing a couple of things.
527
:One, asking questions,
particularly like, I don't know,
528
:kindergarten, first, second grade.
529
:There's no filter yet and kids
are so curious and they ask
530
:questions about everything.
531
:And if we could teach kids how to
hone and get really good at asking
532
:questions that can subsequently be
answered with data, that is going to
533
:be an amazing foundation for everyone.
534
:Any sort of problem solving,
critical thinking, analytical
535
:career, and they also love drawing.
536
:And so if we can let them take some of
that creativity and do it with a graph
537
:and with numbers and let kids approach
that creatively, I think it's a very
538
:refreshing change from math being
something that's either right or wrong
539
:because graphs, there's more leeway.
540
:Uh, there can be creativity.
541
:People can approach things.
542
:differently, and we can celebrate
that and learn from that rather
543
:than say, no, don't do it that way.
544
:Do it this way.
545
:And so for me, I think it was a
combination of just going back to
546
:the impetus for writing the book, a
combination of, you know, seeing the
547
:adults who we teach and so many saying,
I wish I had learned this sooner or
548
:earlier, and then seeing my kids and
how, just how they learn about the
549
:world around them, how they develop.
550
:Language and logic and realizing we could
take the visual language of numbers and
551
:introduce that a lot earlier than we do,
sort of those two things coming together.
552
:I think there's an opportunity to really
help our kids recognize this superpower
553
:of comfort with numbers and asking
questions and answering those questions
554
:and drawing and plotting things that,
um, It'll be a great foundation for
555
:them for so many things going forward.
556
:Avery: You're building the next
generation of data analysts and a
557
:data viz specialist, a ripe young age.
558
:So, uh, that is very cool.
559
:Where can people find this book?
560
:Cole: Oh, anywhere books are sold.
561
:So yeah, favorite independent bookseller.
562
:You can order it.
563
:It's on Amazon.
564
:Uh, and, uh, yeah, is around the world.
565
:Avery: Okay.
566
:Awesome.
567
:Well, I haven't checked it out yet.
568
:I'll have to check it out.
569
:I'll have to check out the yellow book.
570
:Um, but I'm also a huge fan of, of the
storytelling with data original book.
571
:So if you guys haven't checked those
out, be sure to check them out.
572
:We'll have links to all of them
in the show notes down below.
573
:Uh, Cole, thank you so much
for coming on our show.
574
:We appreciate it.
575
:Cole: Thanks for having me, Avery.